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The Cineaste Perspective: Sucker Punch
By Kevin Johnson   
Monday, March 28, 2011 08:59 AM

Zack Snyder’s “Sucker Punch” was better than I had anticipated but that’s not really saying much, since I still found this film to be too overproduced and a bad exercise in over stuffing CGI. I know Snyder has been accused of over-using CGI in the past but it’s essential to create the atmosphere of the film. Yes, there was an over abundance of it in “300” but, to me, it helped create a grim atmosphere in its fight sequences for its historical epic story.

It was also essential in Snyder’s “Watchmen” were the CGI helped create a hybrid atmosphere of dark superhero and film noir. But the CGI in “Sucker Punch” is over so used that it’s basically unnecessary. Surprisingly, this is the first Zach Snyder film not to be adapted from anything previously written, I think he should stick to adapting then write original stories (This film doesn’t have much of a story anyway).

We begin our story in the 1960’s were a young adult named Babydoll (Emily Browing) is framed for murder of her younger sister by her evil step-father. So she is sent to a mental institution for the criminally insane for her “actions”. She uses her imagination to envision a different reality, or in other words she changes the asylum into a brothel but it’s only in HER mind.  So in this “brothel”, the inmates are forced to dance for the pleasure of the men. The other inmates include Sweet Pea (Abbie Cornish), Rocket (Jena Malone), Blondie (Vanessa Hudgens) and Amber (Jamie Chung). Babydoll comes up with the idea to escape and asks to others to help. They need to collect certain items in order to do that, but we only see it done inside Baby doll’s mind. In order for the “brothel staff” to get distracted, she basically seduces and distracts them by dance while the other inmates get the necessary items. But we never see the dance; instead we see what Babydoll sees. For example, they need to get a knife from the cook, Babydoll dances to seduce the cook but what we see is a giant metaphor because in her mind, the knife is replaced with a time-bomb on a distant planet in outer space. The reason why it’s a time bomb is because they need to be careful while disarming it, so they need to be careful when getting the knife, get the idea?

Those metaphorical visions is actually were the film is strong on a technical level because they are filled with impressive visual images, creative effects, and well choreographed stunt and fight sequences.  This is impressive and well made…for about 2 minutes, but since it’s so overused, it wares dull and thin and you wish it could end. These visions don’t really advance the story either; it’s just an exaggerated metaphor to what’s really happening in the real world. But why show Babydoll’s mind instead of what is really happening? Because it’s more fun to watch hot girls fight giant samurais, dragons and WWI zombie Germans that take up about 10 min. then watch hot girls seduce guys and take items that will only take up about 3 min. of screen time, that’s why.

Now other then Babydoll, we never really get to know much of the supporting characters, such as the inmates. Even the staff doesn’t have much personality except for the desire to exploit women. Speaking of the staff, I felt that they were the only ones that belonged in this film. Such as a Polish dance instructor played by Carla Gugino and Oscar Isaac playing a pimp. There physical appearance and characters attitudes felt like they belonged right in place. There is basically no joy in “Sucker Punch”; this film is not fun. It could have been if the action sequences were to affect the story but it only exaggerates on what is really happening in the real world. Zack Snyder is fine director indeed but not here, he knows how to create action and a suitable atmosphere but “Sucker Punch” is a step back. Despite its creative visuals and hot women, it just falls flat.

**| PG-13 | 125 Minutes